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vs "Furioso" es un adjetivo que se puede traducir como "furious", y "rápidos" es un sustantivo plural que se puede traducir como "rapids". Aprende más sobre la diferencia entre "furioso" y "rápidos" a continuación. Un adjetivo es una palabra que describe a un sustantivo ( el perro grande). adjetivo 1. (lleno de furia) a. furious Daniel se puso furioso cuando le robaron el carro. Daniel was furious when his car was stolen. 2. (violento) a. violent Las altas y furiosas olas que golpearon la costa acabaron con los bancos de arena. The high, violent waves that crashed onto the shore destroyed the sandbanks. Copyright © Curiosity Media Inc. Un sustantivo plural indica que hay más de una persona, un lugar, una cosa o una idea. sustantivo plural 1. (río) a. rapids Bajar por los rápidos del río Colorado fue muy emocionante. Going down the rapids of the Colorado River was very exciting. rápido Un adjetivo es una palabra que describe a un sustantivo ( el perro grande). adjetivo 2. (veloz) a. fast ¡Quiero un coche rápido cuando sea grande!
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And that timeless dynamic is the beating heart of Tommy's Honour - an intimate, powerfully moving tale of the real-life founders of the modern game of golf. Director: Jason Connery Sam Neill, Peter Mullan, Ophelia Lovibond 7. 8 / 10 During the First World War, Kitty Trevelyan tries to put the past troubles behind her as she joins two other girls to volunteer at one of the busy war hospitals in northern France. Hermione Norris, Oona Chaplin, Richard Rankin Sci-Fi 6. 6 / 10 A British homicide detective investigates a murder in a German-occupied England in a parallel universe where the Nazis won World War II. Sam Riley, James Cosmo, Rainer Bock 7. 5 / 10 In 1943, the Coyne family and their neighbours struggle to maintain a normal life after a US Army Air Force base is set up in the middle of their rural parish. Ciarán Hinds, Michael Nevin, Hattie Morahan 7. 6 / 10 During the Second World War, a quiet channel island community is thrown into turmoil by the invasion forces of Nazi Germany. Saskia Reeves, Owen Teale, Julia Ford History 6 / 10 A story about a group of soldiers' last days before the battle of the Somme in 1916.
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All of this stuff is good, but does it work as a unified film? No. And if that's not enough evidence for you, consider that the segments were further chopped up into set-pieces. There's the "M", or McTarry funeral stuff, the Niven car chase stuff, the Sellers/Andress romance stuff, and so on. Each set piece ends up being largely independent--you could almost see this as a series of skits on a similar theme. These facts make Casino Royale not quite work. It's certainly no match for a legitimate Bond film, despite the similarity of location-hopping, outrageous villains, spy gadgets and so on. But, in isolation, the segments tend to be good to excellent. The stretch with Bond visiting the faux M widow is probably the funniest. It also presages the Sir Robin section of Monty Python and the Holy Grail (1975), but bests it in a way, if only because of its extension. The madcap ending of the film is a lot of fun for its embrace of absurdism as a supreme aesthetic disposition--and it may have even influenced some later films.